Still from The Sheep Detectives

‘The Sheep Detectives’ asks what makes a good shepherd

The family-friendly whodunnit doesn’t shy away from mature themes of mortality, grief, memory, self-sacrifice, and the cost of being an outcast.
Arts & Culture
Sheep Detectives film poster

The Sheep Detectives

Directed by Kyle Balda (Amazon MGM Studios, 2026)

“Who is God?”

Not far into the film, The Sheep Detectives, out of the mouths of sheep comes a short and genuinely funny take on Christianity: God is an invisible shepherd and a lamb who “dams things” like a beaver, is made of bread, and gets eaten on Sunday. To which another sheep says, “poor God.” This is after the flock has reiterated their own belief that sheep don’t die; they simply turn into clouds.

The delight of moments like these is one of many reasons why The Sheep Detectives is a cut above the usual family-friendly film.

The plot is simple. George Hardy (played by Hugh Jackman) is a shepherd in the English countryside outside a small town. He is beloved by his flock but has a checkered past and fraught relationships with the townsfolk. One dark and stormy night, he is murdered. For years, Hardy did bedtime readings of many a mystery novel to his flock, so the brightest among them—Lily—is convinced that she and the flock can solve the case. As she and her friend Mopple adventure outside their meadow to search for the truth, they encounter the town in all of its whimsy, intrigue, and even cruelty. Do they solve the mystery? Could sheep who can’t be understood by humans actu­ally be detectives? I won’t spoil it here.

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The beauty of the film is not in what happens in the plot—although it is a fun whodunnit—but rather in how it tells the story. Like the best of children’s stories, The Sheep Detectives doesn’t pander to its audience. Nor does it shy away from mature themes of mortality, grief, memory, self-sacrifice, and the cost of being an outcast. It treats its woolly detectives with as much, and sometimes more, complexity as it gives the human characters. In doing so, the filmmakers bring the all-ages audience into the story with humor, respect, intelligence, and compassion—just as the shepherd treated his sheep.


This article also appears in the October 2026 issue of U.S. Catholic (Vol. 91, No. 10, page 37). Click here to subscribe to the magazine.

Image: Courtesy of Amazon MGM Studios

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About the author

Kevin P. Considine

Kevin P. Considine is director of the Robert J. Schreiter Institute for Precious Blood Spirituality at Catholic Theological Union in Chicago. He holds a doctorate degree in theology and his first book, "Salvation for the Sinned-Against" (Pickwick 2015) suggested a reinterpretation of Catholic soteriology through an intercultural encounter with Korean and Korean-American understandings of “Han.” His current research explores interpersonal and social reconciliation through naming, understanding, narrating, and participating in God’s work of healing the wounds of the sinned-against through intercultural perspectives. He interprets woundedness as a form of analogical connection for understanding the wounds of others and participating in God’s work of healing the wounds and their effects in individuals, groups, and societies. He has written chapters in several edited collections and his scholarly essays have appeared in various media outlets.