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In ‘Flow,’ a cat provides lessons on surviving the apocalypse

The animated film shows that even unlikely community is the key to surviving catastrophic times.
Arts & Culture

Flow

Directed by Gints Zilbalodis (Dream Well Studio, 2024)

There were parts of Flow that made me cuddle my 3-month-old black kitten a little tighter. The main character, a tiny black cat, moves and acts exactly like a real cat, whether it’s pouncing on a lightbeam or flattening itself in fright when meeting a strange dog. The animation, by creator Gints Zilbalodis, is both dreamy and hyperrealistic, making it hard to watch the tiny cat find itself in peril after peril, including several near drownings and being swept away in a hungry bird’s talons.

The film, which has no dialogue (unless you count “meow” or the grunts of a capybara), takes place after a flood forces the little cat out of the empty house in which it lives. It finds itself on a boat with a motley crew of other animals, including the aforementioned capybara, a lemur, a rambunctious Labrador retriever, and a secretarybird. The plot echoes both ancient flooding mythologies such as Noah’s ark and more recent climate disasters such as the flooding in North Carolina.

The title of the movie is apt: The animals are forced to go with the flow, swept downstream by the unexpected flood to locations unknown. As they continue to encounter other animal survivors—some friendly, some not—they must choose how to act together in this new world. As viewers, we are swept along with them, with no sense of what will happen next. Will the cat and its friends survive? Where are they going? Will the waters recede? What will their new life look like?

At the end of the film, I was left with more questions than answers about the world in which the animals found themselves (to say what these questions are would involve giving away the climax of the film). Perhaps that is the point: We might never understand exactly why the world as we know it is ending or how to stop it. What we can control is whether we face the end alone or in a community, even one made of the most unlikely of companions.

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Flow is now available to stream on Max.


This article also appears in the March 2025 issue of U.S. Catholic (Vol. 90, No. 3, pages 10-15). Click here to subscribe to the magazine.

Image: Sideshow/Janus Films

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About the author

Emily Sanna

Emily Sanna is an award-winning journalist and editor with more than a decade of experience in Catholic media. As executive editor of U.S. Catholic, she leads the publication’s editorial vision and oversees its print, digital, and multimedia journalism. She joined the staff in 2015 and previously served as digital editor and managing editor. Under her editorial leadership, U.S. Catholic has received numerous honors from the Catholic Media Association and Associated Church Press, including multiple Magazine of the Year awards. She is also one of the writers for Testaments, which received the Catholic Media Association award for Best Scriptural Reflection in 2026.

Emily cohosts Glad You Asked, U.S. Catholic's award-winning podcast exploring questions about Catholicism that don’t have easy answers. She helped develop an organization-wide ethics policy governing the Claretians’ use of artificial intelligence and guided its application at U.S. Catholic. A former member of the Catholic Media Association board, she holds a master of divinity degree from Yale Divinity School, with particular interests in feminist and environmental theology. Her writing explores Catholic identity, gender and sexuality, family life, and justice. She lives in Western New York with her family and an assortment of animals.